Mai Sakurajima is a third-year high school student who gained fame in her youth as a child actress, but recently halted her promising career for reasons unknown to the public. However, high school student Sakuta Azusagawa knows from personal experience that it is very much real, and happens to be quite prevalent in his school. It is a rare disease which only affects teenagers, and its symptoms are so supernatural that hardly anyone recognizes it as a legitimate occurrence. The rare and inexplicable Puberty Syndrome is thought of as a myth.
In a high-stakes game where the next victim could easily be one of them, Kirito puts his life on the line in the virtual world once more. Not everything goes smoothly, however, as scars from the past impede their progress. Uncertain of Death Gun's real powers, Kirito and Sinon race to stop him before he has the chance to claim another life. She is soon dragged in his chase after Death Gun, and together they enter the Bullet of Bullets, a tournament where their target is sure to appear. Once inside, Kirito meets Sinon, a highly skilled sniper afflicted by a traumatic past. Approached by officials to assist in investigating the murders, Kazuto assumes his persona of Kirito once again and logs into Gun Gale Online, intent on stopping the killer. However, his peace is short-lived as a new incident occurs in a game called Gun Gale Online, where a player by the name of Death Gun appears to be killing people in the real world by shooting them in-game. But with difficult bosses and threatening dark cults impeding his progress, Kirito finds that such tasks are much easier said than done.Ī year after escaping Sword Art Online, Kazuto Kirigaya has been settling back into the real world. Teaming up with Asuna Yuuki and other talented players, Kirito makes an effort to face the seemingly insurmountable trials head-on. While Kazuto "Kirito" Kirigaya was fortunate enough to be a beta-tester for the game, he quickly finds that despite his advantages, he cannot overcome SAO's challenges alone. Adding to the struggle, any in-game death becomes permanent, ending the player's life in the real world. The "log-out" function has been removed, with the only method of escape involving beating all of Aincrad's one hundred increasingly difficult levels. However, the idyllic fantasy rapidly becomes a brutal nightmare when SAO's creator traps thousands of players inside the game. With the release of this worldwide sensation, gaming has never felt more lifelike. Sword Art Online (SAO), one of the most recent games on the console, offers a gateway into the wondrous world of Aincrad, a vivid, medieval landscape where users can do anything within the limits of imagination. Slice of Life and Romance are incompatible by definition.Įver since the release of the innovative NerveGear, gamers from all around the globe have been given the opportunity to experience a completely immersive virtual reality. Comedy requires Romance narratives to be focused on eliciting laughter, not only using comedy for lightheartedness.
For both tags, the drama should be focused not only on the relationship but also on the side storylines for example, one character overcoming the death of a loved one or a drug addiction. Since they are plot-driven stories showing humans experiencing romantic struggle, most Romance has some Drama inherently. "Teasing" stories which do not narrate significant romantic development but have a conclusion should be tagged Romantic Subplot.Ī story can be simply Romance. Open-ended romantic endings are only acceptable when the work is an incomplete adaptation of a Romance source. Romance stories require significant romantic development leading to some kind of conclusion: either to begin the relationship, continue it, or end it. Almost always, the story ends happily and the couple is rewarded for their efforts with lasting love. The narrative focuses on the thoughts and emotions of the characters, illustrating the connections between them and explaining their reactions to events or conflict. Falling in love and struggling to progress towards-or maintain-a romantic relationship take priority, while other subplots either take backseat or are designed to develop the main love story.
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